What can you learn from a flip book that you can't learn from watching classic animation frame-by-frame on Blu-ray or DVD (or even, if you're a true dinosaur like me, CAV laserdisc)? He had some connection with Spam, too, I suppose through his agency, and he gave me not just a can of Spam and a cookbook but a "Spammy" doll that still sits on my bookshelves. I love his published work, but I especially enjoyed a show of his original art at the Society of Illustrators in New York a few years ago. Permanent Link and Comments (1) Another PBS documentary with a Disney connection will be broadcast on Friday, September 8, three days after the second part of "Walt Disney." Now I'm remedying that oversight. Jones interview, Jones: From Night Watchman to Phantom Tollbooth, Watership Down and Lord of the Rings reviews. You'll probably find something you can't resist buying. Using poor source material when better was available...patching in an obviously wrong soundtrack not just once but repeatedly...these are not accidents of the kind that could befall anyone trying to do the best possible job. I've done a little writing while the site was dormant, including notes for the second volume of IDW's reprints of the Sunday page called Walt Disney's Treasury of Classic Tales. My shelves are still crammed with reprints I bought then, as well as comic books themselves—not just Dell titles like Walt Disney's Comics and Little Lulu, but, for example, Marvel titles from the sixties, when my interest in current comic books was at a peak and I was buying Marvels and a lot of other pubishers' comics. When I was a kid, I occasionally set up tabletop versions of favorite comics or cartoons, using cardboard and modeling clay to create my miniature worlds. Instead, I've spent many hours watching the Metropolitan Opera's free streaming of dozens of performances, most from the "Live in HD" series that has been showing in theaters for the last fourteen years or so. Bossert has apparently made the mistake of relying on Neal Gabler's highly unreliable Disney biography as his source. Rick Cooper, a former member of Vinton's staff, wrote a piece about Claymation that was published in the last issue of Funnyworld, No. Me, I took several nice bottles to Dusty when I saw him again this week. Vinyl paints came in about the late 1950s, I think. But where does Brad Bird go from here with his charming conception? The group photo is probably from 1957-58. In the book—which I've read only in part—our planet's dead populate "the city," which is located in an alternative reality, but their afterlives depend on the memories of the living. The Animated Man, my biography of Walt Disney, has received its second translation, this one into Chinese (the first, published a few years back, was into Italian). Back in March 2009, I posted this photo taken in New York on October 23, 1941, the evening of the premiere of Dumbo at the Broadway Theater; Fantasia had ended its run there two days earlier. I get tired of Churchy La Femme's manic fear of Friday the Thirteenth, but other schticks that were wearing a little thin in the previous volume have been refreshed here; even the Sunday-page bear is much less tiresome than before. So now we age it and keep a good supply on hand. That is, can we tell how, say, a multiplane scene in Pinocchio was shot by examining the film (and maybe some of the surviving documentation, like drafts), as opposed to relying on Schultheis's description? Such cartoons serve mainly as cautionary examples. I hesitate to post about personal matters here, but I know that some people have continued to check the site frequently, and they may appreciate an explanation of what's going on. Little unicorns rooting in garbage like alley cats, a manticore (voiced wonderfully by Octavia Spencer) as the proprietor of a Chuck E. Cheese-lookalike, biker sprites, and so on--all this works, for me, as a sort of degenerate version of the Pastoral Symphony in Fantasia, just not well enough to make up for the fundamental mistake. I assume that having those advance orders in hand is helpful to Fantagraphics in setting print orders and otherwise. Both halves are two hours long, and both are terrible misrepresentations of Walt and his accomplishments. Do I need to tell you that the Richard Thompson who contributed dozens if not hundreds of articles to Film Comment, very few of them about cartoons, is not the same man as the Dick Thompson who animated for Chuck Jones in the 1950s (and whom I interviewed in 1986)? I've bought the set, but I do hate having been boxed into that corner. One of the pleasures of historical research is visiting the locations where something significant happened, even or maybe especially when that signficance doesn't involve great battles or other stupendous events. No big deal, obviously, but it does seem a pity that Harvey didn't make a greater effort to identify Wells, a former colleague whom Kelly regarded highly enough to honor in his very popular comic strip. So it may be true that the (nitrate) cels were washed off."] 1. Who The Disney Version, the first unauthorized book-length examination of Walt's life and work, has been in and out of print since its publication, more often in than out, each new paperback edition equipped with excerpts from admiring reviews. [2] Treat some of the men and women who worked on those animated cartoons and features as individual artists and not just as shadows hidden behind Walt. Permanent Link and Comments (1) Dave Mason wrote in response to an item I posted last fall, a guest post by Garry Apgar about the unsettled question of exactly when Mickey Mouse can be said to have been "born." The exhibtion runs until April 29, and I'm still trying to figure out if I can make it. Painting No. More Disney Art Brought Out of Hiding   The Walt Disney Film Archives is made up of lavishly illustrated essays about all of the animated (or partly animated, as with Song of the South) Disney films produced during Walt's lifetime; many of the authors are names familiar to anyone who keeps up with the "Disney scholarship" that has the company's imprimatur. I proposed two sets. According to Søren Marsner, the original art is now in a private collection in Finland. I mentioned on Stu's Show that if the set sells well, I've been told it will lead to proper restoration for all future Warner Archive classic cartoon releases. In referencing "THE Mickey Mouse Birthday Party tonight at the Hollywood restaurant…" his lack of specificity may have led researchers to assume he was writing about a celebration in Hollywood, California. Artists (and all three of my interviewees qualified easily for that title) can be tough on their bosses! Everybody was in a state of alarm, and nobody understood anybody; each thought the truth was in him alone; suffered agonies when he looked at the others; beat his breast; wept and wrung his hands. He liked to share his bounty; until his health forbade it, he had someone drive him house to house at Christmas, dropping off presents that included, in my case, the sheet music for the Woody Woodpecker song and "Who's Afraid of the Big Bad Wolf," and an Alfred E. Neuman bobblehead. Despite some of these issues, the overall effect of watching and owning all these otherwise uncensored cartoons, in one package, is still exciting to me, and seem to be exciting to many who have written to me in support. Permanent Link and Comments (0) I get very few comp copies these days, no books from Fantagraphics or Disney Editions, no DVDs or Blu-rays from anybody, except on those rare occasions when I've given the author or publisher some help, and not always then. Didier's books don't foreclose the possibility of a book (or books) devoted solely to Barrier-Gray interviews, but I haven't tried to interest a publisher in such a project. The fourteen-year wait between The Incredibles and Incredibles 2 was simply too long, not that you could tell that from the boxoffice results. I raised hell, and the contractor ultimately wrote a check that was as much as I could reasonably ask for but was, of course, not large enough.   August 10, 2019: The second volume of the collected Walt Disney's Treasury of Classic Tales Sunday pages, with my commentaries, will be available July 25, according to amazon.com. No big deal, obviously, but it does seem a pity that Harvey didn't make a greater effort to identify Wells, a former colleague whom Kelly regarded highly enough to honor in his very popular comic strip. Robert Lughai is trying for a definitive identification of another mystery man, this one at the left in the photo above with Adriana Caselotti (the voice of Snow White), Clarence Nash (the voice of Donald Duck), and Roy Williams (who surely needs no introduction). John has a very amusing girlfriend called Eden Brower who appears on the CDs with John and R. The website is Eden & John's East River String Band | Home of East RIver Records. I noticed that the diary mentions several notables weren't able to attend. December 11, 2017: This is a conventional story of a comic-bookish kind, with strong echoes of sources as diverse and familiar as Lady and the Tramp and The Prisoner of Zenda. Like the earlier books in the series, the new one offers up the annotated work of a handful of Disney concept artists, in this case artists who were active in the 1950s and 1960s, including John Dunn, Walt Peregoy, and Tom Oreb. Permanent Link and Comments (1) This is what I dislike most about Facebook, and why I am so relucant to "friend" people I don't know, however legitimate they seem. Two more books have now been published, and Didier Ghez, the author and editor of the series, warns that it may be cut short if sales (which were excellent for the first volume) don't pick up. An Epic Tale of War Band of Brothers is an award-winning 10-part HBO series. That personal quality seems to have manifested itself most intensely when the strip was aligned with some darker passage in Kelly’s life. The sheer volume of Disney drawings—at the studio and in private collections—is so enormous that reproducing even a small percentage of the plausible candidates for a book would be impossible. Dusty urged me to see a dermatologist, but I doubted the need, especially since I haven't had so much as a suntan, much less a burn, for decades, and my skin has suffered less sun damage than most people's; but I made an appointment with a skin doctor whose family I already knew. But my strongest feeling when I finished The Lost Notebook was fresh regret that Canemaker was not commissioned to write the official Disney book on Fantasia, a plum assignment that fell instead to John Culhane. Permanent Link and Comments (2) I've enjoyed revisiting the cartoons in the set. The Treasury continued for more than twenty years after that, but, despite what amazon.com seems to say on its page for the third volume, I know of no plans to reprint any of those post-Walt pages. But, fortunately, the book is not really about second-rate films like Robin Hood and The Rescuers. The half-dozen or so Telecomics stories that feel to me like his work have their moments, but they're not top-of-the-line Stanley. This was the book that Walt Disney got from the Kansas City Public Library soon after he went to work for Kansas City Film Ad, and that he and his earliest co-workers and employees, like Hugh Harman and Friz Freleng, used as a guide when making their own cartoons. It'll be interesting to see if others surface now that I know what to look for. It has been forty-five years since the publication of Christopher Finch's The Art of Walt Disney, the first "art book" about Disney since the early forties.   You can read about this project and make a contribution by going to this link. SquarePants Movie, Walt Surviving Barks comic-book art: There's not a lot of it, and what there is was cataloged quite thoroughly more than twenty years ago by Matti Eronen. Whole settlements, whole cities and nations, were infected nd went mad. Well, of course, which is why some of us have ordered each individual volume well in advance of publication, three years in advance in the case of Volume 4. I never feel that enhancement when I revisit even the best superhero comics; more likely my pleasure is diminished. In venues like Stu's Show (a podcast), I openly explained the set was being done on a minimal budget, using "down and dirty" vault fine-grains, with almost no clean-up.   Permanent Link and Comments (0) Telecomics Rides Again Brainy bunch. Reagan was funny at first, but then, inevitably, he moved on to boring conservative boilerplate, and I decided to pull out a pen and paper and organize some thoughts for the book I was writing, Hollywood Cartoons. Sometimes there's actually a strong cartoon connection (as with a colorful production of Rossini's version of Cinderella), other times there's what strikes me as a cartoon flavor (the first act of the Met version of Verdi's Masked Ball feels like a Talkartoon come to life), and, of course, there's the music from operas that Carl Stallling and Milt Franklyn found so useful in the Warner cartoons.. The Pogo dailies that he must have produced around that time, for publication in January 1951, are remarkably weak, lacking the overflowing comic energy that makes Pogo at its best such a joy to read. As for those secrets, I came away from the book wondering how much of what Schultheis put into his notebook could be reverse-engineered. Back on April 16, 2013, I posted a "Where Walt Was" item about his brief visit to what was then called Ciudad Trujillo (long since restored to its original name, Santo Domingo).   What was Joe (“Wanna buy a duck?”) Penner doing in a promotional shot for a stuffed mouse? One TV commercial shoot was almost ruined when a few key cels were forgotten on top of a kitchen refrigerator, where they had been laid out to dry. Novros and Hurtz both worked for the Disney studio in its "golden age," most notably on Fantasia, and all three men had significant connections with UPA, Julian and Hurtz as members of its staff and Novros in another way; you'll just have to read the interview to see how he described his role.
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